the same forces that “threaten and exceed it” (Pease 2009, 2). In portraying the complicated, often self-contradicting social institutions that popularly become “American,” The Scarlet Letter, Moby-Dick, The Adventures of Huckleberry Finn, and The Awakening ask to what end citizenship in the U.S. must be hampered by the imperial machismo it had once declared its independence from. In The Scarlet Letter, Nathaniel Hawthorne recasts the American aspiration of being a “City on a Hill” as a hollow exercise…
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