stimulants (alcohol, tobacco, and others) and how they pursued arts funding: what was their strategy? What was the benefit to them? A high-profile corporate art patron was Philip Morris, which fended off the bad publicity associated with its principal product line, cigarettes, and assiduously courted the good will of the art public, sponsoring and contributing to hundreds of exhibitions in museums, galleries, and other spaces for the visual arts. Renamed “Altria” in 2003 was a corporate moniker that successfully…
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