Nanook of the North is an interesting film that documents the lifestyle of an Inuit family in Quebec, Canada. Robert J. Flaherty, the writer, producer and director of the film makes sure to film every aspect of the family’s daily struggles and duties. With nearly everything but cold weather in limited supply, it becomes very obvious that every aspect in their lives serves a specific role aimed towards survival; they have no space extraneous luxuries. The community as a whole seems to be very amicable, with everybody willingly helping each other out. The fur trader treats Nanook’s children to some biscuits and lard, and then even gives one of them some castor oil after they overdo it on their snacks. Nanook is even shown helping out We see it most when Nanook and his family arrive to the trading post with there furs, their only encounter with the white man. At this particular point in the movie the masculine image of Nanook is lessened. This proud archetypal hunter’s image becomes razed when compared to the smarts and technology of the white man. Nanook is made into the “smiling one” which is the same image given to Nyla; he becomes the more feminine one compared to the white hunter. (Huhndork) This image he has at this point is quite the opposite of what he was given in the film up until this point, and that he seems to have for the rest of the film once Nanook and his family leave the trading post. It is easy to see Flaherty’s pre-existing European stigmas on what a nuclear family’s structure should be like. Nanook, image as the hunter and leader of the family is exaggerated and heroized, while Nyla’s role is sort of just stuffed into the background as caretaker, making her seem insignificant to the family’s survival. From a gender point of view, this leaves the audience feeling like the real family structure of the Inuit is overshadowed by European ethnocentric ideals of gender and its role in survival. In my opinion, I can see why its influence in film is so significant, but as far as viewing the film in the sense of gender in an Inuit family, it is quite misleading. I feel like Flaherty has cut
Gina Villalobos Professor Casey English 101 Response to film Nanook of the North Robert J. Flaherty’s masterpiece “Nanook of the North” is considered to be the first featurelength documentary, and genre of filmmaking which did not actually exist in 1922. It captures the life of an Inuit hunter and how he struggles to feed his family in the Canadian Arctic. The environment is quite harsh but the family seems contented. Nanook smiles a lot and seems like a nice guy. Flaherty did not merely; want to show some exotic part of the world…
and reliance on social actors and is character driven. A prototype documentary, made, shares combination of qualities thus slipping into the realm of documentary changing definition changes adding new conventions. Flaherty’s prototype of Nanook of the North possesses some of these characteristics. It re-presents that culture at that time of production. It is character driven and relies on real people as actors, and is observational in approach to the participatory level of the filmmaker. It is…
Anthropological Fieldwork and Ethnographic Documentary Film Final Paper Xu Wei Question 3 Others on the screen Most people have the desire to know and even observe others’ lives. Then for meeting this need, the documentary films showed up. And when facing these objects on the screen, people show complicated feelings about it. After watching the films, some people might change their attitudes among one certain group of people; some people might take actions based on the harvest of the films.…
with useful information, of the role of the medium in education. The great writer was mentioning about documentary films-an entity yet to evolve at that point of time. Years later in 1922, Flaherty realized the dream of Tolstoy when he made Nanook of the North, depicting the lives of indigenous Inuit people living in Quebec, northern Canada. Pioneer film-maker…
------------------------------------------------- Georgia State University ------------------------------------------------- FILM 2700 History of Motion Pictures ------------------------------------------------- Day/Time Tuesdays & Thursdays 1:00-2:15 ------------------------------------------------- Location: GCB 700 ------------------------------------------------- Fall 2012 ------------------------------------------------- Instructor: Ms. Maria Boyd Email: mboyd15@student…