27 March, 2012
Reading Reflection #4 In act four we see Much Ado About Nothing reach its climax point. We have gotten to the moment where everyone is anxiously waiting for Hero and Claudio to get married. In this scene there are a couple of characters that I am not so happy. I do not like the way that they respond to the series of events that are presented in the play. First let’s start with Claudio before he left to go to war with Don Pedro he says that he has had some feelings for Hero. Then when he comes back he claims to be madly in love with her. He keeps going on and on how it is love at first sight and he will never meet another person like her. But when he accuses her of being with someone else that professed love is gone. He leaves her at the altar just when the friar is about to marry them. He does not let for one second Hero a chance to explain herself. Like all of a sudden the love he had for her is gone or something. This makes me wonder if he really loves her or was just infatuated by her beauty. I am also disappointed in Leonato, how dare he side with the men. When he hears of the accusations that are frowned upon his daughter he is disappointed in her. If Leonato was my father I would be disappointed in him. I know that back then the word of a man would have much weight than that of women but if my father would not believe me I would be mad at him. I would probably not want to talk to him. He was her father he was supposed to defend her and be
Related Documents: Essay on Much Ado about Nothing
In the play Much Ado about Nothing Beatrice drastically changes from claiming she is never going to marry, to then showing and speaking of her love for benedick. I chose to show Beatrice’s development throughout the play as I like how she is a strong character and she is her own person. I also chose Beatrice because I like how she does not think she needs a man in her life and how she is not interested in finding a suitor. Also by the end of the play she lets goof her pride of being unmarried and…
Explore the importance of disguise and deception in Much Ado about Nothing. Are they merely effective plot devices? Much Ado about Nothing was written by William Shakespeare in 1598, towards the middle of his career and during the reign of Queen Elizabeth. Disguise and deception are used to great comic effect, as well as to drive the main and sub-plot forward. However, an attentive audience may notice how disguise and deception can also be seen to develop characters and relationships, and show some…
will fetch you a toothpicker from the furthest inch of Asia . . . do you any embassage to the pigmies, rather than hold three words’ conference with this harpy” Claudio “O Hero! What a Hero hadst thou been if half thy outward graces had been placed about thy thoughts and counsels of thy heart!” Dogberry “Dost thou not suspect my place? Dost thou not suspect my years? O that he were here to write me down an ass!” Don Pedro “'Tis once, thou lovest,And I will fit thee with the remedy.I know we shall…
in books and plays. In William Shakespeare's Much Ado About Nothing, it is shown through characterization, symbolism, and foreshadowing that eavesdropping can lead to misinterpretation of reality. There are two characters whose actions show that they are eavesdropping on other characters conversations. These characters include Benedick and Beatrice. The whole theory behind this eavesdropping is so that they can hear the gossip that is being said about them. For example, Benedick overhears Don Pedro…
Explore the Development of Benedick's character throughout the play. The character Benedick' changes dramatically throughout Shakespeare's "Much Ado about Nothing". It is the character Beatrice' who invokes these changes into Benedick. At the beginning of the play Benedick appears to be an aristocratic soldier who is witty and intelligent. It is clear Benedick has a reputation as a noble soldier and brave man merely from the messenger's comments: "He hath done good service, lady, in these wars"…
"Many characters in 'Much Ado...' act as they do because they are keen to protect their status.' Choose two characters: can you apply this statement to them? How does their status anxiety affect the way that the audience regards them?" The play ‘Much Ado About Nothing’ is set in a small Italian town with a clear system of hierarchy. This affects the characters behaviour as they often act to protect or status. Claudio is a young, stereotypical hero and acts, at some periods in the play, purely to…
“An experience of pleasurable merry-making and social inversion” – to what extent do you agree with this interpretation? William Shakespeare’s acclaimed comedy ‘Much Ado about Nothing’ intertwines humor and tragedy in order to produce a play based on social inversion, while adhering to the conventions of comedy and producing moments of pleasurable merry-making. There are tragic aspects of the play which make it less pleasurable; namely the ubiquitous presence of death. However, the restoration at…
these in many different poetic styles and genres, for example in his sonnets. However he is also known for expressing his feelings towards love in over 30 of his plays through the genres of romantic comedy and tragedy. In one of his plays, “Much Ado About Nothing”, Shakespeare uses many different types of love; through a family, a well connected town, soldiers returning from war and lovers. Taking one aspect of this, the lovers, I pick out one male role in particular, Benedick. Who appears…
English essay How dose Shakespeare present love in much ado about nothing. There are many different of love and we experience them in our lives. Family love, friendship love and romantic love are parts of everyday life and this is what Shakespeare was presenting to this audience in much ado about nothing. We get a sense of the relationships presents through the dialog of the characters, for example when leonato and hero talks as farther and daughter. Shakespeare also shows us romantic love through…
Alysha Grossenburg Love in Shakespeare March 6, 2015 Shakespeare's Magic Trick: Why Beatrice and Benedick take center stage in Much Ado About Nothing Shakespeare portrays love in a very new way in Much Ado about Nothing. He challenges the ideas of courtly love, which was an unrealistic version of love at the time, by carefully displaying two versions of love: one in Beatrice and Benedick and the other in Claudio and Hero. The especially unique aspect of this play is that while Claudio and Hero…