representation, asking who is assigned the roles of hero, villain, and victim in the works we study, and why the writers and film directors have made the choices they do. The arguments made by these books and films are part of evolving conversation about the nature of organized violence, and our task will be to account for these shifts in perspective. In order to do so, we will have to attend not only to the technological innovations that have so dramatically changing the nature of modern warfare…
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