silent, inactive and impartial towards anything. It thus invites harmony and balance. In the Confucian interpretation of the concept, a true gentleman, who possesses the Tao, is also p’ing‐tan/pingdan in his disposition and general views of the world. 3. The conception of p’ing‐tan/pingdan exhibits an aesthetic parallel with the conception of ku‐i/guyi 古意 (the idea of antiquity,) which also values the internal over the external, simplicity over articulation, naturalness over artificiality. 4. A stylistic…
Words 557 - Pages 3