are
now
consumed
internationally
by
adults
who
identify
with
the
doll
and
assign
to
them
an
emotive,
as
well
as
creative,
connection.
A
particular
identity
arises
from
collecting
Blythe,
an
identity
that
is
given
meaning
by
the
sites
of
representation,
production,
consumption
and
regulation
in
the
“circuit
of
culture”
(du
Gay
et
al
3).
In
particular,
it
is
within
the
acts
of
production
and
consumption
of
Blythe
that
one
can
come
to
see
the…
Words 4324 - Pages 18
