and Franklyn agree that art and integrity are more important than money ( he informs her, “if you’re looking for a brother with a fat bank account, I ain’t the one”), they also must contend with basic pressures-paying rent, for instance. The film’s episodic structure lays out a series of these pressures alongside the characters’s unspoken but quite evident fears, in terms both metaphorical and literal. For one instance, Franklyn’s parents (CCH Pounder and John Amos, whose appearances are far too fleeting…
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