impression of his views. Considering Wojnarowicz’s personal struggles with censorship, the decision to censor his work in an exhibit revolving around the exposure of suppressed artists could trigger nothing but immediate reprisal, and so it proved. Demonstrations were organized, institutions and galleries all across the U.S. showed the film, The Museum of Modern Art added the film to its collection and one of the primary funders of the Smithsonian Institute, the Andy Warhol Foundation, demanded the return…
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