nakedly confessional prayer (“40,” “MLK,” “The Wanderer,” “Grace,” “Yahweh”). What changes is the nature of the landscape and the reasons for (and intensity of) the confession. During the band’s first phase, the Irish-urchins-for-Jesus records, from Boy to October and War, producer Steve Lillywhite presided over a sound that cribbed an itchy urgency from punk and New Wave but forsook anarchic and ironic flair in favor of sincerity and stridency. The very makeup of the band spoke of contradiction: The…
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