Throughout cinema cities are often portrayed as a place where danger and violence occur, whereas the suburban area is an ideal place to live that is more quiet and reserved. In all cinema most people believe that the suburban area is a place where families raise their children and everything goes by smoothly. However this is not true in the film “American Beauty”. Instead of being a calm place to live the suburb in the movie is more like the city being wild and dangerous, whereas in Mad Men the city is more calm and easygoing.
Most movies and television series show how suburbs are a safe place to raise children and start a family, such as in the television series The Brady Bunch, and Leave it to Beaver. In the beginning of the film American Beauty the town that the Burnham’s lived in seemed to be an ordinary quite suburban town. The town had stereotypical white picket fences along with perfect manicured lawns, and gardens. “If Hollywood over the past few decades of conservative ascendancy has increasingly framed the big city as hostile territory, it has also tended to present the sparkling clean, well-lit world of the suburban middle-class family as “under siege” from a range of sexual criminal, and moral threats that are typically urban in origin.” Most film makers when creating their stories do not use suburban areas for a center of violence, and crime.
However, when taking a closer look at American Beauty nothing seems to be as normal as it should be inside the house of the Burnham’s. In the beginning of the novel the wife,*** Burnham tries her hardest to keep up the reputation of a perfect suburban family. She makes dinner, takes care of the lawn, cleans the house, and attends her daughters cheerleading games. If someone were to look in from the outside it would seem as if she had the perfect family and life, when on the inside she knows there is a lot to fix in the family. Instead of acting like everything is perfect throughout the suburbs and that nothing goes wrong, the producers decided to highlight the main themes that truly go on in most families. These themes include beauty of life, power, death, self-awareness, love, mid-life crises, homophobia, adultery, and teen-age troubles. Instead of hiding reality the producers decided to show the suburban lifestyle in a different light and prove that everything is not as clean and proper in suburban towns as it seems to be. By the end of the movie the wife wound up cheating on her husband Lester, and he was later murdered by the next door neighbor. This type of story is something that most people believe would only happen in an urban area, when in reality it could happen right next door.
Most movies dealing with crimes and gangs are filmed in cities because they are thought to be a place where much violence and crime occur. “The association between cities and metaphysical evil has grown so strong in popular consciousness since the early 1980’s that a number of successful Hollywood films have taken up the trope of the damned or hellish city as their central theme and narrative pretext.” Most films scare the viewer into thinking that cities are violent places where
z Save America's Small Town Cinemas, According to an artical in Screen Trade Magazine up to 10,000 screens are at risk of being eliminated in 2013 in the name of "progress". As the Exhibition Industry completes its expensive digitization process movie-lovers in many of America's smaller towns will have to travel to satisfy their need for cinema removing thousands from local econemys. According to most in the industry the conversion for a single screen cinema is at minimum $75,000. When you…
NO WAVE CINEMA & CINEMA OF TRANSGRESSION presented by kayla milligan Eric Mitchell’s Underground USA (1980) 1976 – 1984, NYC Born on the streets of Manhattan’s Lower East Side A bare bones approach to guerrilla filmmaking which placed importance on mood and texture above all else Takes inspiration from the films of Andy Warhol, John Waters, Jack Smith, and the French New Wave NO WAVE CINEMA Combines a loose narrative form with abrasive imagery, free from the constraints of…
Analysis Sunrise Analysis F.W. Murnau’s film, Sunrise: A Song of Two Humans (1926), is widely regarded as one of the first pieces of cinema that introduces techniques that have become staples in modern cinema. The sequence, which this paper will look to analyze, can be considered the “birth” of the cinematic flashback. In the sequence, The Woman From the City (Margaret Livingston), has just arrived to the small town to steal the Man (George O’Brien) away from the Wife (Janet Gaynor). Through the…
large city comes with much larger advantages than a small town that's why people decide to move to a big city looking for new opportunities of a better life. Fascinating people from a wide range of backgrounds tend to live in a large metropolitan areas; the experience of rubbing shoulder with such a diverse bunch of people would be exciting. I believe living in a big city would be fulfilling and educational. First of all, one of the principal reason why people decide to move to the city is for…
1920 Growing cities In America back at the start of the century there were almost 50 million living in the countryside and 35 million living in the city. During the 1920s more people started living in the city than in the countryside and by the 1940s over 75 million people were living in the city and 45 million in the country. Because there was such an increase in population there were skyscrapers being built in New York due to the shortage of land, but even in cities where there was still plenty…
Cidade de Deus / City of God (2002) on the grounds that the film represents violence and poverty as a ‘spectacle’ and fails to relate these issues to the wider socio-political context of contemporary Brazil. Is this criticism justified? ‘There are…two kinds of film makers: one invents an imaginary reality; the other confronts an existing reality and attempts to understand it, criticise it…and finally, translate it into film’ Fernando Biri, 1979[1] Fernando Meirelles’s City of God (2002) has…
What is Representation of Reality in Cinema? What is the representation of reality in Cinema? How is it represented? Representation of reality in the films we have viewed thus far, was seen in the form of expressionism, self-reflexivity, and realism. Recognizing the less stringent censorship of European filmmaking, paired with a disquieting whimsical sense-i.e. that personal vison and style of the auteur, life is depicted as it really is in all of its crude and graphicness. We are delivered the…
Impact of films In the last fifty years, cinema has become not only a serious art form but a field of study by itself. Continuous advancement in film technology and high level of conceptualization of the film take viewer to the world outside his day-to-day world providing entertainment, which has made cinema a popular medium of masses. Indian educationists and sociologists have shown a surprising lack of interest in the film as an educational force and a social challenge. Hardly any academic…
The Concept of National Cinema and Understanding British Culture Based on Anderson (1983) definition, a nation can be defined as the plotting of an imagined community with a shared and secure identity as well as sense of belonging, on to a carefully distinguished geo-political space. From this view, a nation is first formed and then maintained as a restricted public area, which means that public debate gives a nation meaning while media systems with certain geographical reach give it shape. Inhabitants…
can be built. The choices of leisure facilities available are between a swimming pool, a disco, a bingo hall, a cinema and a bowling alley. The information in this report was taken from the internet. This report will be completed by 25 September 2013. Findings 1. Background The new town of Ludsby is to be built to home the overspill of population from existing major cities. The population of the new town will consist mainly of young couples, some with small children, and a large number…