THE AUTHOR William Faulkner (1897-1962) was born in New Albany, Mississippi, and later moved to Oxford, Mississippi, where he lived for most of his life. The town and the surrounding countryside became the model for his fictitious Yoknapatawpha County, the setting for most of his fiction. Faulkner never finished high school, but with the outbreak of World War I sought to enlist in the Air Force. He was rejected because of his height (5'6"), but succeeded in joining the Royal Air Force of Canada by lying about much of his background. The war ended before his training was completed, however, though this did not stop him from purchasing a lieutenant’s uniform and telling a variety of tales about his wartime adventures after he returned home to Oxford. After the war, he enrolled at the University of Mississippi, where he began writing for the campus newspaper. He dropped out during his sophomore year, and began writing on his own while working odd jobs to support himself. In 1925, he moved to New Orleans to write for a literary magazine, and published his first novel, Soldiers’ Pay, the following year. After the failure of his second novel, he took the advice of playwright Sherwood Anderson and turned to writing about the country he knew best. This third novel, Sartoris, was finally published in 1929, but only after being rejected by several publishers and drastically edited by the one who finally accepted it. Fed up with the publishing business, Faulkner decided to write a novel purely for his own enjoyment. The result was The Sound and the Fury, a novel written in an unorthodox, even revolutionary, style, which, contrary to his expectations, his publisher loved. When it came out in 1929, the public agreed, and it is still considered by many to be his finest novel. Between the publication of The Sound and the Fury in 1929 and Go Down, Moses in 1942, Faulkner went through a period of amazing creative productivity, publishing such novels as As I Lay Dying, Light in August, and Absalom, Absalom, along with a number of short stories and Hollywood screenplays. Later, he wrote his famous Snopes trilogy, The Hamlet (1940), The Town (1957), and The Mansion (1959), which deal with the rising middle class in the South rather than the old aristocracy that was the subject of the earlier works.
As far as his personal life was concerned, Faulkner married his childhood sweetheart, Estelle Oldham, in 1929, after her divorce from her first husband. She brought two children into the marriage, and they had two daughters together, one of whom died in infancy. Despite several affairs throughout his life, he and Estelle remained together. Faulkner won two Pulitzer Prizes, for A Fable (1955) and The Reivers (1962), both of which are considered among his lesser works, and the Nobel Prize for Literature in 1959. Many of his novels deal with issues of race and class, and he became an outspoken opponent of segregation later in his career. PLOT SUMMARY William Faulkner’s The Sound and the Fury is a very difficult novel to read, largely because of the extensive use of flashback and stream-of-consciousness techniques. The novel itself is an account of the decline of the aristocratic Compson family, and consists of four parts, each narrated by a different person. The first part of the novel is narrated by Benjy Compson, a thirty-three year old man with the mind of a three year old, and takes place in 1928. Benjy has no sense of time or place, and understands little more than sensory impressions. When these occur, they send him suddenly into often random flashbacks. Events alluded to in this section include the funeral of his grandmother (1898), his sister Caddy’s use of perfume (1905), loss of her virginity (1909), and wedding (1910), his brother Quentin’s suicide (1910), and his own name change (from Maury to Benjy 1900) and castration (1910). The second part is narrated by Quentin Compson, and takes place on the
Venisse J. Villanueva III-2 BEE Novel: The Sound and the Fury by William Faulkner I, personally, do not read classic novels unless required in school, due to the fact that the words often used are difficult to understand, especially me, whom vocabulary is the weakest point, also, the setting is quiet traditional or historical so I cannot relate that much, I prefer contemporary and modern novels like All The Bright Places by Jennifer Niven, which, as of the moment, is my favorite. So, since this…
solidifies the entire Yoknapatawpha series. Thematically, the novel looks back to Quentin Compson's dilemma in The Sound and the Fury (1929) in that the problem of incest in the Charles-Judith-Henry relationship bears directly upon Quentin's own behavior in the earlier novel. The philosophy of cynicism, detachment, and determinism advocated by Mr. Compson in The Sound and the Fury is utilized and expanded upon in Mr. Compson's narration of the Sutpen myth. The use of Quentin, an already established…
what is often dubbed Mississippi writer William Faulkner’s greatest masterpiece, The Sound and the Fury, the author sharply redefines the traditional idea of the close-knit southern family. Indeed, the Compson family around which Faulkner’s distinctively modernist novel revolves itself could hardly be said to fit neatly into this traditional, southern motif of the tightly-knit family. In fact, in The Sound and the Fury, nearly every Compson in the novel, from Mother to Caddy, Father to Quentin, is depicted…
Faulkner: Time and the Self Jean-Paul Sartre describes time in William Faulkner’s novel The Sound and the Fury with the image of a man seated backwards in a speeding car, the future unseen, the present blurred by motion, the past solely in focus (267). He compares Faulkner’s concept of time to Proust’s in his Search for Lost Time (268), suggesting that time is only interacted with in retrospect, while critic Peter Swiggart condemns this association as limited, and claims that Faulkner’s time is…
June 5, 2015 English Paper Importance of Decision Making in Macbeth The great poet Maya Angelou once said, “You may not control all the events that happen to you, but you can decide not to be reduced by them.” In life control is important and should not be taking away. Use control and decision making to great use because like Maya Angelou said even though you cannot control many events, you sure can reduce them. Control, decision making and influences are all important when reading …
We are all deafened by the sound of the screeching. Even thirteen years later, its horrible echo resonates across a frightened globe. Metal colliding with giants; eyes watching from billions of angles, imaginations screaming. A vision of horror delivered before innocent faces. A world immune to violence. We have seen such scenes playing out in a thousand films - as we watch on, this could just be another. It is difficult to imagine the real lives that are being extinguished, rapidly, like gunshots…
warm feeling of compassion. However, she subtly shifts her purpose. She also wants to instigate fury within the reader because of carelessness Frankenstein shows for his helpless child. In addition, “[the creature] learned to distinguish between the operations of [his] various senses.” The creature lacks the art of thinking and reasoning. He is just becoming aware of his own five senses: sight, sound, smell, touch, and taste, just like any other newborn. The creature is flailing around on his backside…
This can be seen in 3:1:123-128 “fire-eyed fury be my conduct now… either thou or I, or both, must go with him” The tone of Romeo’s anger and revenge is clear in this alliteration. The high modality in the words “away” and “must” emphasized the wrath that Romeo feels and his inability to contain and control his emotions. The alliteration of the sharp “f” sound expresses the idea of Romeo’s hate towards Tybalt and the personification in “fire- eyed fury”, further demonstrates the vengeance and rage…
quick sound such as a watch makes when enveloped in cotton” (Poe 1207). Secondly, the murderer continues with this symbol of time, “He was still sitting up in the bed listening; – just as I have done, night after night, hearkening to the death watches in the wall” (Poe 1207). In this sense, the “death watch” refers to a small beetle that lives in the wall. During mating season, this beetle bangs its head against the wall in order to attract a mate. Because of its consistency, this sounds almost…
general did, a few minutes later. And his hounds went with him. Numbly, Rainsford swam to shore. He wondered what he would do now. Suddenly, a rustle in the bushes startled him. He said, quite loudly, "Who's there?" He crept slowly towards the sound, his hunting knife drawn. "It's me, Whitney!" called a voice. Rainsford immediately drew back his knife. "Whitney! Is that really you?" he called back. Whitney immerged form his hiding place. "It's really you! Oh, how glad am I to see you!" Rainsford…