pioneering fi eldwork devoted to foregrounding the agency and consciousness of the female subaltern in Morocco. It is also demystifying, anti-essentialist, and, therefore, secular, since this work places at the forefront multiple Moroccan female subjectivities, bringing to crisis the mythical, unifi ed female identity or ‘Muslim woman,’ as normalized or “invented” (to borrow Lamia Ben Youssef Zayzafoon’s words) in the 1957 Moudawana, that of the dependent woman. Th e chapter indicates that Mernissi’s…
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