typical stylistic feature of the era, as it displayed “the unchanging brilliance of heaven” in a difficult and changing time (Nicol, 2006:par8). The portability of the icon was of great importance, and it is said to have “fulfilled…the same function in the home as the mosaic decorations of the churches, [which is] signalling the presence of divinity” (Piper, 1991:62). Icons were believed to be miracle-working and, as a result, the Vladimir Virgin was sent to Vladimir and later “to Moscow, to protect [the]…
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