g., in Poe’s “The Cask of Amontillado”] as you)? Third person (an outsider, using he, she, it, they)? Also, look for shifts in point of view within a literary work. b.) What degree of knowledge does the narrator have? Omniscient? Limited-omniscient? Objective? Note that an objective point of view can employ an omnipresent camera that moves everywhere while we still never get access to the internal states of characters. c.) How is the narrative preserved? A collection…
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