Romeo challenges this idea of masculinity and is portrayed with more feminine and submissive traits. He speaks with a poetic melancholy contrary to that of the other men: “Love is a smoke made with the fume of sighs, / Being purg’d, a fire sparkling in lovers’ eyes, / Being vex’d, a sea nourish’d with loving tears” .Romance and longing fuel his daily thoughts, giving him the most fulfillment and satisfaction. Romeo is in love with the idea of love, and his way of thinking is teased mercilessly by both his friends and enemies. When paired with Juliet in scenes, his male role is increasingly diminished. He puts himself below her both literally and figuratively in a gesture of submission, especially during the balcony scene. “O, speak again, bright angel, for thou art / As glorious to this night, being o’er my head, / As a winged messenger of heaven” (2.2.26-28). A Veronese male would never dream of considering himself below a woman, nor would he put her on a pedestal to worship and revere. While the pair exchanges vows of love, it is Romeo who revokes his name: “Call me but love, and I’ll be new baptiz’d; / Henceforth I never will be Romeo” (2.2.50-51). This act of giving up his name for his love is non-traditional, even in the standards of today. Yet these qualities that make him uniquely Romeo are what draw Juliet in toward him to shine forth in strength and merge her heart with his.

Women of Verona are considered to be a completely different class in comparison to men. They are thought of as inferior, weaker, and more as objects to possess. Never would they be called equals with opinions that would be heard and understood. Pleasing her parents, marriage, then pleasing their husband, and bearing children are the life goals of which a woman should dream. Juliet’s nurse makes multiple references to a joke her husband made years ago: “Thou wilt fall backward when thou comest to age” (1.3.56). This is an attempt to make light of the sexually subservient lifestyle a woman must become comfortable with when she becomes a fertile age. Lady Capulet, Juliet’s mother, also presses forth the expected honour of women saying, “Here in Verona, ladies of esteem, / Are already made mothers. By my count, / I was your mother much upon these years” (1.3.70-72). A girl is quickly transferred from the house of her parents to the house of her husband without any chance of independent thought, action, or growth.
Shakespeare portrays Juliet in a way that defies these standards for women and gives her an uncommon strength contrary to society. Upon first meeting Romeo at her father’s masked party, she does not shy away from his forward nature as would be proper and typical of an unmarried girl but rather engages him in playful banter and builds upon their flirtation. She even allows him to kiss her. During the balcony scene, Juliet takes on the role of the leader and dominates the conversation, challenging Romeo’s motives while he obligingly acquiesces and replies to her satisfaction. She is very straightforward in her ideas and daringly proposes the idea of marriage first: “If that thy bent of love be honorable, / Thy purpose marriage, send me word to-morrow” (2.2.143-144). She is possessed with