La Belle Dame Sans Merci (1819) by John Keats and You’re Beautiful (2005) by Simon Armitage are both exceptional poems which exemplify how implied gender roles within love poetry are a product of the historical, cultural and social contexts in which the poem was written. Having been written centuries apart, Armitage’s poem provides a very modernized viewpoint on love, written in free verse, whilst Keats’ describes a setting that mirrors the classical era, exhibiting the underlying…
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