In The Task of the Translator, Benjamin argues that: "No poem is intended for the reader, no picture for the beholder, no symphony for the audience" (Benjamin 69). Here, Benjamin emphasizes the objective nature of artistic experience over the subjective one. In On the Program of the Coming Philosophy (1918), Benjamin differentiates between the subjectivity and the objectivity of our experience. For him, there is no experience of the absolute. That is to say, the meaning of art is not related to our…
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