Though the term had been used earlier, it was Haydn who conceived of the scherzo in its modern sense. In 1781, he called the third movement of some of his string quartets a “scherzo.” What had been the old minuet-and-trio movement now became a scherzo (and trio), and Haydn’s choice of that name indicated that he wanted more speed and liveliness. Beethoven took this evolution one step further: his scherzos, usually built on very short rhythmic units, explode with violent energy and with enough comic…
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