National Film Board
At the beginning of the 20th century the Canadian government began exploiting film for educational and promotional purposes. For example, when the railway was built as a first step towards the political unification of the country, the Canadian Pacific Railway received government support for its series of films called Living Canada, intended to encourage American and British immigration to the Canadian northwest.
In 1917, the Exhibits and Publicity Bureau, which came under the jurisdiction of the Department of Trade and Commerce, used film for the first time. Until 1921, the Bureau expanded considerably and produced films and photographs for several different government departments. To respond to increasing demand for a wider range of services, it was restructured and set up in new headquarters and renamed Canadian Government Motion Picture Bureau.
For ten years the Bureau had a solid reputation, and Canada was the country in the British Empire that most successfully used film for information and promotional purposes. But the Depression led to severe budget cuts and Canada neglected its film industry. The Bureau fell far behind in terms of technology and even continued to produce silent films until 1934.
In 1938, a year before the NFB was created, Vincent Massey, Canada’s High Commissioner in London, was already in discussion with his secretary, Ross McLean, about the value of the films made by the Canadian Government Motion Picture Bureau. They felt that if the films were to fulfill their role in promoting Canadian commerce and tourism overseas, they would have to be of higher quality.
McLean, impressed by the work of the British documentary filmmaker John Grierson, persuaded Massey to send a report on the state of Canadian cinema to Mackenzie King’s government. He suggested that Grierson be invited to study the government’s filmmaking activities, at that point divided into four categories: educational, promotional, and ministerial and films designed to promote specific ideas, or a sense of belonging among the citizenry.
After completing his study, Grierson found that there were two main problems with Canadian filmmaking: a lack of means and the absence of any governing direction. In fact, the Motion Picture Bureau served the interests of the Department of Commerce almost exclusively, to the extent that other sectors had gone as far as setting up their own film services. Grierson tabled a report in June pointing to the need for a coordinated film production unit.
On May 2, 1939, an act of Parliament created the National Film Commission, soon known as the National Film Board. Its work was to complement that of the Motion Picture Bureau. The headquarters of the NFB were set up in Ottawa, and at the time of its creation its mandate was “….to make and distribute films across the country that were designed to help Canadians everywhere in Canada understand the problems and way of life of Canadians in other parts of the country.” The NFB was also responsible for coordinating all the filmmaking activities of the various federal departments.
The law that was tabled set up a Governing Council of two members of the Privy Council, three people chosen from outside the civil service, and three people who were either members of the civil service or the Canadian military. The first meeting of the Governing Council took place on September 21, 1939.
That same month, Canada went to war, so production switched to patriotic films. John Grierson was known as both a pioneer of documentary filmmaking and a specialist in the psychology of propaganda. He was a firm believer in the use of film as a tool for social change. He seemed naturally destined to head the NFB and in October he was appointed as the first Government Film Commissioner. He had a remarkable influence on the NFB, even after he retired in November 1945, and until his death in 1972.
The NFB started producing films in 1939. The filmmaker Guy Glover made a
Canadian culture; they are the National film board of Canada (NFB), the Canadian Radio- Television Commission (CRTC), and The Canadian Broadcasting cooperation (CBC). The National film board of Canada was founded in 1939 and is recognized as one of the world’s best creative laboratories. [1] It is Canada’s public film producer and distributor; it produces documentaries, animation, alternative dramas and digital media productions. [2] In total the national film board has produced over thirteen thousand…
Movie Assignment I. Title It's a Wonderful Life Year December 25, 1946 Director Frank Capra Genre Fantasy Drama II. Awards Won Golden Globes, USA Cinema Writers Circle Awards, Spain National Board of Review, USA National Film Preservation Board, USA New York Film Critics Circle Awards Online Film & Television Association Young Artist Awards III. Lead Characters Actors George Bailey James Stewart Clarence Odbody…
“24 Days in Brooks” National Film Board of Canada Chronology and please follow as you watch the film Keep this. |Time |What takes place |Comments | |1984 – not stated in |At this time the plant first becomes unionized; there|The union is and continues to be the US Based United Food and Commercial | |film – 28 years ago |is a strike in which the union is “crushed”…
Impact of films In the last fifty years, cinema has become not only a serious art form but a field of study by itself. Continuous advancement in film technology and high level of conceptualization of the film take viewer to the world outside his day-to-day world providing entertainment, which has made cinema a popular medium of masses. Indian educationists and sociologists have shown a surprising lack of interest in the film as an educational force and a social challenge. Hardly any academic…
gymnastics title at the 2004 Virginia State Championships.Douglas made her national debut at the 2010 Nastia Liukin Supergirl Cup, a televised Level 10 meet held in Worcester, Massachusetts, where Douglas placed fourth all-around.[6]Her first elite meet was the 2010 CoverGirl Classic in Chicago, Illinois, where Douglas placed third on balance beam, 6th on vault and 9th all-around in the junior division.[6]At the 2010 U.S. Junior National Championships, Douglas won the silver medal on balance beam, placed…
about the Motion Picture Association of America (MPAA), but who are they? The MPAA is made up of the major film studios in Hollywood. However, they do not make the ratings. The MPAA’s sub- board The Classification and Ratings Administration (CARA) does (This Film). CARA is made up of anonymous parents whose job is not to decide if a movie is good or bad, they just suggest what age group a film is appropriate for based on five general categories: theme, drug use, language, violence, and sex. The way…
see yourself in characters on TV Cultural taste: what are we prepared to watch when we turn on the TV Pushing the boundaries Industry vs. audience Today it is very easy to find out about the audiences through comments on the internet, discussion boards, blogs, etc. Syllabus stuff Readings on elearning, print them out and bring to class ***Pop quizzes on the readings 3 media labs: group quizzes 1 HW assignment with 3-4 people think about which one I want to do and email him 3 or 4 preferences…
Burbank, California ● Introverted and misunderstood, misfit. ● Enjoyed Horror and Sci-Fi movies growing up ● Graduated from California Institute of Arts in 1979 ● Worked as a Disney animator for less than a year ● First short film, Vincent, was based on a poem he wrote. ● Favorite films are Dracula A.D. 1972, The Wicker Man, The Golden Voyage of Sinbad, The War of the Gargantuas and The Omega Man ● Voted the 49th Greatest Director of all time by Entertainment Weekly, being the youngest director on this…
THE NEW YORK AMSTERDAM NEWS April 26-May 2,2007 2 9 Harriet Washington, author of ^^Medical Apartheid/' visits Dr. John Henrik Clarke House By DAA'IYA L. SANUSI Special to the AmNews The Board for the Education of People of African Ancestry (BEPAA) presented medical writer Harriet A. Washington, author of "Medical Apartheid," at the Dr. John Henrik Clarke House recently, in Harlem. The plan was to have her just sign books, but the turnout was so significant that the plan changed effortlessly…
Curriculum strand: Creative Subject Area: Graphic Design Title: Animating Art About this unit: In this unit, pupils explore the use of the moving image to communicate ideas about particular genres or styles of art. They analyse paintings, films, cartoons, illustrations, digital images, photographs and images from contemporary visual culture. They learn how to represent ideas and values using the moving image. They make connections between abstract expressionism, expressionism and pop art…