ADAPTATION OR ANNIHILATION? An analysis of the opening scene of Baz Luhrmann’s ROMEO + JULIET When Australian filmmaker Baz Luhrmann released his adaptation of “Romeo + Juliet” in 1998, it polarised critics and audiences. Some hated its fast-paced, in-your-face style, which critic Mary Travers described as “a loud and adolescent mockery of Shakespeare’s classic tale”. On the other hand, others admired the way Luhrmann retold the centuries-old story in a very modern context, making it feel, in the…
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