1). Isadora Duncan stands alone in her studio, waiting for the spirit of dance to arise from the deep wellsprings of her being: „for hours I would stand quite still, my two hands folded between my breasts, covering the solar plexus…I was seeking and finally discovered the central spring of all movement‟ (Duncan, 1927, p. 75). Dance, for Isadora, begins in the dark region of interiority and rises to the surface as rhythmical movements that emanate out to the world. The radical nature of Isadora‟s gesture…
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