the products and practices of the corporate enterprise. When journalist and cultural critic Naomi Klein wrote the bestseller No Logo in 2000, a searing critique of the “new branded world” (3) of industrial influence, the focus of her attack was on how corporations’ transnational reach, predatory methods, and tools of exploitation, exclusion, and censorship had impacted a wide range of social and political activities and institutions. The instant recognition and global penetration of “the swoosh…
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