one-dimensional protagonist, totally overshadowed by Ahab. This is Ahab's film. William Hurt dominates every scene he appears in, and he appears in most of them. I'm convinced he's pulling out all the stops, aiming for an Emmy. I'm not sure how else to explain the hammy overacting, the grizzly beard, the cheesy dialogue delivered in a carefully cultivated "old salt" accent. Hurt thinks he's playing Hamlet, and he wants Ahab's descent into madness to be central to the story. Ahab is typically dark, cursed…
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