the Congo for the entertainment of his listeners on the Essex marshes. But the tale’s underlying imagery of light and darkness, white and black, light on dark, of darkness made visible, shining, glittering, glinting, gleaming, dark reflections, good and evil, is at first glance simple, straightforward and conventional and thus provides a clear structuring principle for Conrad’s exploration of darkness – political, moral and spiritual – in this disturbing story of the role of European colonialism in…
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