we never slowed down there? That’s partially the effect that Cummings tries to create for his speaker. The words slosh together, running over each other as if they’re overlapping brush strokes in an impressionist painting 9. He does things with grammer and with the sounds of words that seem very strange when you first encounter them, but as you understand the context better they reveal themselves to be perfectly appropriate. The most obvious of these quirks in this example is the strange use of…
Words 2005 - Pages 9