was on a lecture tour in America when the Chinese Communists came to power in 1949. At the invitation of Premier Zhou Enlai, he came back to China, pledging to transform himself from an old-style writer to a revolutionary one (Ke and Li 1982: 65–72). From this time, Lao She walked a tightrope between political duty and artistic integrity. His sense of duty compelled him to produce a steady stream of plays, drum songs, and comic skits as the current political situations 92 Yu demanded, and he…
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