Sturken also alludes to familiar images and phenomena such as the Vietnam Veterans Memorial, the AIDS blanket, and the photos of missing children on milk cartons in her appeal to ethos. These allusions work to enrich her argument that images have the ability to have personal, historical, and cultural meaning. The appliance of outside sources to her argument, “the low, black walls of the memorial, sunken into the landscape (the Vietnam Veterans Memorial)…inspire contemplation” (181), illustrates Sturkens…
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