Music 4334 Fall, 2012
Review Sheet – Test 4
Chapter 15:
1. Describe the genres and styles of Italian secular vocal chamber music in the early 17th c.
2. Name and briefly describe the most important genres and styles of instrumental music in the early Baroque period.
Terms and names you should know: concerted madrigal fuga sonata da chiesa partita (or partite) passacaglia chacona, ciaconna toccata chorale prelude suite ricercare fantasia capriccio air de cour organ verse cori spezzatti prelude oratorio
Kleine geistliche Konzerte
Symphoniae sacrae
Salamone Rossi
Girolamo Frescobaldi
Fiori musicali
Biagio Marini

basso ostinato, ground bass canzona sonata (17th c.) chorale variations, chorale partita variations, partita cantus-firmus variations organ mass subject dance musical figures chaconne, passacaglia fugue small sacred concerto stile antico, stile moderno historia Passion
Barbara Strozzi
Lodovico Viadana
Allesandro Grandi
Lucrezia Vizzana
Giacomo Carissimi
Heinrich Schütz

Chapter 16:
1. Trace the origins and development of musical theater in France, England, Spain and the New
World during the seventeenth century and explain what makes each national tradition distinctive.
2. Name and describe the varieties of instrumental music from France, England, and Spain in the
17th c., including the dance suite and the most common types of dances.

Terms and names you should know: court ballet orchestra comedie-ballet tragedie en musique, tragedie lyrique divertissement overture, ouverture
French overture recitatif simple recitatif mesuré air notes inegales overdotting agreements petit motet grand motet clavecin clavecinists
Louis XIV
Vingt-quatre Violons du Roi
Jean-Baptiste Lully
Music of the Great Stable
Jean-Phillippe Quinault
Marc-Antoine Charpentier
Elisabeth-Claude Jacquet de la Guerre

style luthé, style brisé binary form suite unmeasured prelude allemande courante sarabande gigue rondeau couplets gavotte minuet masque dramatic opera, semi-opera catch zarzuela tiento John Blow
Henry Purcell
Dido and Aeneas
The English Dancing Master
Tomás de Torrejón y Velasco
La púrpura de la rosa

Chapter 17:
1. Describe developments in