depiction of women as immaculate creatures, without effeminising them. But, it is this concept of defeminisation which I find riddles the plot of this, ‘Buffy the Vampire Slayer’ television show. Wielding a combination of phallic weapons and feminine devices to attack literal and metaphoric demons, Buffy becomes a foolish interpretation of Joss Whedon’s ‘ultra-feminist’ ideals. Now, its fine to challenge conventions, after all isn’t that what the gothic has always sought to do? But Whedon’s juxtaposition…
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