The Italian renaissance took place in the early 15th Century. During this period mediums such as fresco and tempera were common with the later introduction of oil. Fresco was used by covering a wall in fresh plaster and painting over it while still wet, this medium was hard to blend and had to be done using a hatching method. This was a medium that had been used in the past and was still quite popular. However it was very hard to correct mistakes and the colours were very mute. Tempera was quite similar to fresco in the way of its flexibility. These were done on wooden panels and colour pigments were mixed with egg. The colours in tempera stayed very vibrant as the pigments were suspended in the egg which meant that they hardly fade. This also had to be hatched in order the blend the colours. Also during the Italian renaissance period oil became a very new and popular medium. This was influenced by Antonello De Messina who brought his work from Sicily to venice. His work was highly influence from the northern renaissance artists. Oil was a medium that was very flexible and it was once again done on wooden panels. The pigments was mixed with oil, this gave it a reflective quality. Artists could easily fix their mistakes and Leonardo Da Vinci developed a blending technique called stfmato which we see in his later paintings that gave a smoky and very natural blend between the colours.
The first one is a fresco called Saint Jerome in his study which was painted by Domenico Ghirlandaio. This fresco shows Jerome (A doctor of the church) who is shown leaning on his arm and writing with the other. It was commissioned by the Vespucci family along with another artwork in order to decorate the area next to the choir. Fresco was a medium that was bought forward from ancient times. Fresco was done by placing reed mats onto a wall. The wall was then rendered with plaster and the outline was then done with charcoal and a sketch brush. A 2nd layer of wet plaster would then be applied to the area they planned on working on that day. Because fresco cannot be blended as easy as oil can the facial expression of Jerome is very harsh. This is because the artist would have to under draw the flesh areas in a brown colour with a mixture of yellows, whites and blacks. The artist would then paint over green earth to help give the face depth. However because fresco cannot be blended the depth that they could achieve was very limited. This is why his expression his seen as harsh. Unlike oil it was very hard to create tonal modelling. However we see examples of this in the drapery in this fresco as the artist would have used a hatching technique which gives the effect of shadowing and 3 dimensions. Blending wasn’t achievable until oil was introduced. However if we were to compare this to one of Masaccio’s earlier works, The expulsion of Adam and Eve, we can see how this blending technique and the use of tonal modelling has been improved as we see a lack of depth and expression in Masaccio’s work.
The tempera painting is a portrait of a man with a medal of Cosimo the elder painted by Sandro Botticelli. This shows us an unidentified man holding a medal which features the face of cosimo the elder. The commissioner for this painting is unknown as well as what it was commissioned for. Tempera paintings were used as far back as the Egyptians decorations and were very popular up until the 15th century when the medium of oil superseded it. Tempera paintings were done on a similar panel to oil paintings. The wood would be sanded and many layers of gesso were applied and smoothed out. A charcoal outline was then drawn on and areas to be gilded were cover with bole. Tempera paints are very similar to fresco in regards to how difficult it is to be blended. In this painting we can see how this man’s facial features are quite striking. This was achieved by the blending technique of hatching. Colours such as green and white were used for
Art Historian Book Art Historian Book The first historical evidence of a culture can be found in the artifacts of the earliest homo sapiens from 35,000 years ago. Every time period in the history of the world has offered something special to the world of art. From the ancient Egyptians to the Middle Ages to the Renaissance to today. We can look about and marvel at the greatness of the artist from our past. The ancient Egyptian civilization developed slowly from about 5000…
at that are equally and simultaneously. Style is not always transmits particularity of time in which it arises and develops, and often only embodies the ideals and dreams of the creators. The Renaissance era is a prime example of such a mismatch of art and reality, it was the transformation of minds, not of life, imagination, not reality, culture, not civilization. In fact, the real life of even the most advanced cities of that time was full of medieval brutality, wars, conspiracies, bloodshed. Namely…
Hopkins Mr. DeRosa Art History 25 July 2014 Roman art Romans where famous for the development of forms, the concrete revolution, the imperial fora, the Pantheon, Hadrian’s Villa At Tivoli, the Ara Pacis Augustate Altar (Augustan Peace), the arch of Titus, and the Colum of Trajan. Roman art was art of the Republic and Empire. Their art started of in and as a small city and it grew to become a vast empire. (History of Art, Pg. 181) A useful way to see Roman art is by seeing it as art of syncretism. Syncretism…
The art of Europe encompasses the history of visual art in Europe. European prehistoric art started as mobile rock, and cave painting art, and was characteristic of the period between the Paleolithic and the Iron Age.[1] Written histories of European art often begin with the art of the Ancient Middle East, and the Ancient Aegean civilisations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people…
Art History “Art is not a mirror held up to reality, but rather a hammer with which to shape it.” --Bertoldt Brecht Before History: The Origins of Art in the Stone Age The Old Stone Age (Paleolithic) in Africa and Europe Olduvi Gorge, Tanzania: Makaspansgat, South Africa: Hohlenstein-Stadel and Wllendorf, Central Europe Makapansgat Valley, South Africa Pebble resembling a human face Reddish jasperite stone, gives impression of a face, found in 1925, proclaimed it a work of art, found in…
Land art: Robert Smithson. Step One: Smithson chooses the location on the north eastern shore of the Great Salt Lake near Rozel point in Utah. Smithson chose this location based on the blood red colour of the water and its connection with the primordial sea. Step Two: Smithson didn’t know what he wanted to do in the space until he got there and was inspired by the red water and the lakes salt crystals, which grow in a spiralling, crystalline formation. Step Three: Smithson then makes various…
won Prix de Rome, which is a scholarship for art students to go to the Royal Academy of Painting and Sculpture. In 1790 he was appointed master of drawing to Louis XVI of France. In 1792 he became a professor at the Royal Academy of Painting and Sculpture in Paris. Then in 1800 he married a famous painter named Adelaide Labille-Guiard. (Wiki) Vincent was a leader of the neoclassical and historical movement in French art. His work was influenced by the art of classical antiquity by the masters of the…
were influenced by impressionism. Although his work was misunderstood and rejected by the people of his time, his reputation increased both for the way he created a painting through what his eyes saw in nature and for his unique quality of painting art which he achieved through color, space and mass. Through thorough inspection of Paul Cezanne’s watercolor-like oil painting titled Rocks in the Forest one can examine the characteristics of the Modern period otherwise known as Impressionism. This…
Located in Thebes, Egypt, “Nebamun hunting in the marshes” is a painting of Nebamun enjoying life and beauty at its finest. It dates back to the late 18th dynasty, which is around 1350 BC. Pictured next to him are his wife Hatshepsut and their young daughter. This particular picture was found in the tomb of Nebamun, among the rest of the traditional tomb-chapel decoration. I believe a metaphor that can be used to organize and interpret the image is that Nebamun is the breath of life over the land…
Art: Artist File lawsuits, Seeking Royalties In the 1973 Sotheby Parke Bernet auction in New York, Robert Scull sold some of his art collection. This helped inaugurate today’s money-soused contemporary-art market. Several artists watched the auction from a standing room only section in the back of the room. That is where the artist, Robert Rauschenberg saw his 1958 painting “Thaw” being sold for 85,000 dollars. His piece was originally sold to Scull for 900 dollars. At the end of the auction…