Hulst History of Art Survey II 27 April 2014 Wӧlfflin’s Principles of Art History Paper [The baroque,] in place of the perfect, the completed, gives the restless, the becoming, in place of the limited, the conceivable, gives the limitless, the colossal. The ideal of beautiful proportion vanishes, interest concentrates not on being, but on happening. The masses, heavy and thickset, come into movement” (Wölfflin 10). In the reading, Principles of Art History, Heinrich…
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