communal, embodying collective rather than individual identities. Isadora, however, seeks a dance that would break free of the artificiality of social convention. The return to nature is identified with a return to the interior realm. In her 1909 essay, „Movement is Life‟, Isadora decries „movement imposed from without‟ (Duncan, 1977, p.77) as being antithetical to the spontaneous movements of nature found within the human body. Certainly, the emphasis on subjective experience was prevalent in the…
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